The Komm Süsser Tod Egodeath Mixes are a set of two songs created by databending the original "Komm, süsser Tod" to the point being aurally dissociated from the original. First the raw audio was converted into an image format, then the image format was converted back into audio, the compression causing it to lose most of its content and garble the rest into near unrecognizability (you can recover traces of the original with some light editing but it won't be much).The individual track covers are the images used, though they've been downscaled to match with Bandcamp's size restrictions — they won't be able to replicate the same music. If you want an analogy as to how this works, imagine vinyl but Fucked Up; the haunted record players of a digital age, reading hollow tracks from the jags of broken grooves.
This wild experimental artist from Chicago uses electric kazoos, tape loops, and more to craft far-out, wonderfully confounding songs. Bandcamp New & Notable Mar 15, 2021
Written in response to the climate crisis, “Leviathan” is a brooding and beautifully unsettling batch of dark ambient songs. Bandcamp New & Notable Sep 16, 2023
A stellar compilation featuring shoegaze and indie favorites like Drowse, Midwife, and Mount Eerie benefitting Project Onward in Chicago. Bandcamp New & Notable May 11, 2023
Every sound here is made using Megan Mitchell's voice, even though the music often sounds more like Earth’s vibrations than a human singing. Bandcamp Album of the Day Mar 28, 2023
The 20th anniversary edition of this classic album—remastered by noise master Merzbow himself—features four new tracks and new artwork. Bandcamp New & Notable Feb 14, 2023
Hong Kong's Enor D reinterprets nursery rhymes as noise pieces with elements of musique concrete on this playful new album. Bandcamp New & Notable Apr 5, 2022